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[Source: Shoewawa]
Yesterday was the office holiday luncheon; readers of this blog will not be surprised by the pants in the picture at right, because they know that that's when I perform my annual Wearing of the Bright Red Levi's Cords. The accompanying tie is the last of my polyester Christian Dior Monsieurs with the CD logo in an oval near the bottom. That particular line is hard to match in terms of imaginative patterns and vibrant color combinations. Not impossible, though, so when it warms up (April? May?) I'll return with another batch of ties. Maybe. Happy holidays and best wishes for 2008! I'll leave you with a new take on a classic Christmas song from my music blog:
I had so much fun wearing a tie last week, I decided to do it again this week. What this narrow Pierre Cardin tie lacks in color it makes up for in discipline: its grid of eccentrically-nested hexagons in dark gray on light gray (with some blue ones thrown in for an austere kind of flair) is decidedly Mid-Century Modern. The pattern would be perfect for a brushed-aluminum screen between my dining room and sunken living room. If Dwell magazine ever does a feature on my house, I will have to wear this tie for the photo shoot. And maybe clean up a little.
This vintage tie from Balenciaga looks like a jigsaw puzzle of a contour map. If you look closely enough you can see the word "Balenciaga" tastefully hidden in the red section. Not quite as tasteful as not being there at all, but at least the design is left to speak for itself.
From a few feet away this looks like a tie with an abstract woven pattern in rather bright colors, but if you look closer you will see that the little red rectangles actually say "Toshiba," and every other diagonal band contains a repeating line drawing of a different Toshiba product. They've even labeled each one: starting at the top and working down, we have cinema T.V., battery, car radio, cordless [telephone], "fst" [flat screen television], cell phone, and VCR. Corporate ties are usually very dull, so I applaud Toshiba for commissioning one (from Vinuchi) that's so lively and distinctive, if not actually attractive.
After a long winter of turtlenecks and sweaters, and a long overdue trip to the cleaners to get my dress shirts washed and pressed, the temperature climbed into comfortable tie-wearing weather today (between 30 and 60 degrees F). Time to tackle that huge backlog of unworn neckties! Or one of them, at least. Today's tie is from Tachi Taylor, if the dodgily-applied label is to be believed, and features a woven Miro-inspired pattern.
With our so-called "Mid-Century Modern" home, gradually getting filled with Mid-Century Modern furniture and decor, it is only appropriate that I have some Mid-Century Modern ties as well. I don't think this one dates back that far, but the design fits comfortably with other textiles of that era. The label says "Nino Orsini," but this tie is obviously a home-made job, with the fabric behind the tip finished using the "scrunch it all up and then iron it flat" method. But who cares about the back of a tie?
Another year, another birthday, yippee! As of today I am twice the legal drinking age, which means from here on out I will have been drinking legally for most of my life. So I will use this milestone to list some of my favorite beers: Unibroue Belgian-style ales, especially Trois Pistoles (which I drank with my birthday dinner); Weyerbacher Quad; Pork Slap Pale Ale and Snapperhead IPA from Butternuts Beer and Ale; Ommegang Abbey Ale; and Ithaca Beer Company's Double IPA. Some favorites from our trip to England in August are Inniss & Gunn Oak Aged Beer, Badger Golden Champion, Robinson's Old Tom Ale, and Sharp's Chalky's Bite. I recommend seeking them out from your local beverage emporium and enjoying them in moderation, preferably while wearing a big, bold vintage tie like this one, "made in England for Bloomingdale's" with the thickest lining fabric ever made, I do believe.
Ithaca residents were assured today that spring is finally here, because I wore my rainbow-striped shirt with a rainbow-spattered tie. (The fact that snow is forecast for the weekend in spite of my sartorial proclamation is concerning; have my neckties lost their magickal qualities through neglect?) While most of my "crayon vomit" ties are roughly 35 years old and made of polyester, this is a silk tie by "A. Taghi" of more recent vintage. The only thing I can think of to say about it is, "Whoa."
It's been almost a month since I last wore a tie, and a year and a half since I wore one of my treasured Pamper Him ties from Chicago. This is the third one to appear on the blog, which leaves me with three yet to be blogged, I believe. That could take another couple years, at this rate. Pamper Him seems to have vanished, as have most of the fabrics from Exotic Silks from which they made their ties (but this one is still there). Only the ties remain, and darn few of those, I suspect.
I took advantage of the unseasonably warm weather on Monday (60 degrees, 50 higher than last week) to wear my first tie 0f 2008. A tie that looks like a graph (or several graphs) is about as graphic as you can get, wouldn't you say? This bold silk tie with rectangular jacquard weave is of unknown provenance, but is probably 30 to 40 years old and has seen a lot of use. It even appears to have been bitten at least once.
Monday's tie was another Jimmy Pike creation from Desert Designs of Australia.
It finally warmed up here in Ithaca, so I tried my hand at tie-wearing again. My tie for Monday, March 31, is a patchwork tie of vintage kimono silks by T. Carney, made in Korea. The dark band next to the bottom has a very fine batik-style resist print on it; the triangle on the right side (my left), as well as the band just under the knot, are particularly lustrous, in a nubby weave that is sheer joy to look at and touch. The whole tie is quite tactile, for that matter. I wouldn't mind wearing full garments made from silk like this.
I won't fool myself into thinking spring is here at last despite today's lovely 50+ degrees; this is upstate New York, so we will almost certainly get more snow before spring truly arrives (and probably late at that). But that doesn't mean that I can't pretend for a day and wear a vintage polyester tie of pastel honeycombs filled with "crayon vomit!"
Desert Designs is best known for reproducing the works of Australian Aboriginal artists Jimmy Pike and Doris Gingingara on neckties, but I have turned up a third one. Today's tie features a design by Clifford Possum Tjapaltjarri (c.1932-2002), one of the founders of the modern Aboriginal art movement. Susan Allan provides some background on his introduction to painting in an obituary on the World Socialist Web Site:Tjapaltjarri's art gained enormous popularity and he was ultimately awarded the Order of Australia.In the late 1950s he was employed, along with his older brother Tim Leura Tjapaltjarri and other Aborigines, to assist in the construction of Papunya settlement. This was the last Aboriginal settlement built under the Menzies Liberal government�s racist assimilation policy. According to the government, Aborigines were not ready to live as �white Australians� and had to be re-educated. This meant removing them from tribal lands and herding them into settlements.
In 1971, Geoffrey Bardon, a young teacher, arrived at Papunya. Bardon, who later described the settlement as �an unsewered, undrained, garbage-strewn death camp in all but name,� won the respect of the older men and encouraged them to paint their ancestral stories. In contrast to Namatjira�s realistic watercolours, Bardon supplied them acrylic paint and discouraged references to Western images. This approach help give birth to the unique Papunya Tula style, which is an abstract representation of tribal myths and legends that is derived from traditional ceremonial designs.
That's what Mrs. V. said when she saw this tie, and that says it all, I think. It's from the Upstarts by Fox Hill line of bygone days and is made of an unnamed silky fabric with a wonderful grain to it. It was the perfect tie for one of those glorious, bright, breezy, high-atmospheric-pressure days (if I say so myself).
I've finally run out of steam. Here's the tie I wore on May 20, by Modules of Japan, one of the best of the art deco revival labels. There might be one more photo on the camera.
Though this tie is from Biella, I could almost swear I've seen the same pattern on a Missoni tie. I inadvertently robbed it of its color impact by wearing it with a shirt that matched the dominant color; if I had it to do over again I would wear it with an off-white, or ecru, or eggshell, or pale yellow shirt. But I don't, I've worn it once and that's that. C'est la vie.
Ah, it has cooled off enough to break out the corduroys, which for me marks the official start of autumn. Today's tie is from my favorite line of polyester neckties, Christian Dior Monsieur (previous entries here). The ribbons in the pleasantly busy pattern are disturbingly sinuous (as in, like sinews), and the flesh and blood color scheme doesn't help matters. If I keep my mouth shut maybe no one will notice.
Not only is today's entry on a Saturday tie, it has two ties! I took my son Pierce to his friend's bar mitzvah today, and we both wore ties. I wore the one on the left, a black Format tie of luxurious crinkled silk with woven red and gold pattern. Pierce, making his modeling debut on the tie blog (pause for applause), wore the tie on the right, a Save the Children tie called "Schwiggles," designed by Shantai, age 8. Does he look just like me, or what?
Attending a conference in Anaheim this week (the Higher Education Users Group Alliance 09) inspired me to deploy another necktie. I thought this bright beauty by Ernex of London would be suitably Californian, so I wore it on Monday, making me the Most Overdressed guy there (vendors excluded). My plans for a second day of necktie madness were scuttled due to a stained dress shirt, but at least I got one tie blogged.